Belonging: The Story of The Jews 1492-1900 / Volume 2
It is a story like no other: an epic of endurance against destruction, of creativity in oppression, joy amid grief, the affirmation of life against the steepest of odds. The first of two volumes, The Story of the Jews spans the millennia and the continents—from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes readers to unimagined places: a Jewish kingdom in the mountains of southern Arabia, a Syrian synagogue glowing with radiant wall paintings, the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the writers of the Bible to the love poems of wine bibbers in a garden in Muslim Spain.
Within these pages, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world, candles are lit, chants are sung, mules are packed, and ships loaded with spices and gems founder at sea.
And a great story unfolds. Not—as often imagined—of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians.
Which makes the story of the Jews everyone’s story.
Notes
The words that failed were words of hope. But they did not fail at all times and everywhere.
These gripping pages teem with words of defiance and optimism, sounds and images of tenacious life and adventurous modernism, music and drama, business and philosophy, poetry and politics. The second part of Simon Schama's epic Story of the Jews is neither overwhelmed by hopelessness nor shrouded in the smoke of the crematoria. As much as it gives full weight to the magnitude of the disaster that befell the Jews, it is a story of hope vindicated rather than wiped out.
The stories unfold across the world - in the provincial pavilions of Ming China and beneath the brass chandeliers of Rembrandt's Amsterdam; on ships and carts, stage-coaches and railway trains crossing oceans and continents; in the honky-tonk of San Francisco and the pampas of Argentina, the department stores of Berlin and the avenues of Trieste. The stories themselves are played on the stage of opera houses; in the travelling camera of an expedition in Ukraine, the prison cells of Stalin's Russia, the lagers of the Holocaust; the scenery of misery and redemption in Palestine and Israel.
At the heart of the story is the budding belief that peoples of different faiths, customs and cultures can be fellow-citizens of a common country.
And amidst all the brutality, somehow the light of Jewish endurance is never extinguished. The odyssey is unforgettable, the storyteller impassioned, the words unfailing.
