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作者 : 龔鵬程
總數: 3
國學入門
作者
龔鵬程
分類號
C5.5.1 007
出版社
臺灣學生書局
出版年
2007
文學散步
作者
龔鵬程
分類號
C4.5.1 005
出版社
漢光文化事業公司
俠的精神文化史論
作者
龔鵬程
分類號
C4.6.2 011
出版社
山東畫報出版社
主題
語文與文學
註釋
《俠的精神文化史論》作者龔鵬程,在歷史陰暗的夜空裏,偶然出現一些特立獨行的任俠仗義之英雄俠客,仿佛在陰冷的寒夜,偶然發現了一兩顆亮麗的流星,帶給人們一霎時莫名的興奮。他們那種堅持信念、不畏強梁的勇氣,義之所在、雖死不辭的壯烈,以及那種白晝悲歌、深宵彈劍的孤寂與放浪,也在在顯示了與眾不同的情操,扣人心弦。正義的英雄,就這樣,走人了人世、走入江湖。千山獨行,衣袂飄飄。他們的姿影,逐漸彌漫在我們心頭、彌漫在銀幕和螢光幕以及無數小說與唱本裏。
俠客行(自序)
俠客崇拜:複雜的俠客形象
(一)文學的想像
(二)歷史的詮釋
1.充滿意義判斷的歷史
2.虛無主義者的儒俠觀
3.中國的武士道
4.士的蛻變與遊俠
(三)正義的神話
1.具有道德使命感的俠
2.我們為什麼需要俠
3.歷史、神話與迷思
4.俠:正義的迷思
(四)英雄的崇拜
1.英雄的崇拜
2.存在的虛無
3.浪漫的遨遊
(五)歷史研究的方法
1.歷史詮釋的辯證
2.證據與推論的檢討
3.文化史的處理方法
漢代的遊俠
唐代的俠與劍俠
(一)俠的性質、淵源與發展
(二)唐代的俠
1.遊俠少年的類型
2.俠的行為與活動
3.俠與知識階層的關係
(三)唐代的劍俠
1.劍俠的行為特徵
(1)飛天夜叉術
(2)幻術
(3)神行術
(4)用藥
(5)斷人首級
(6)劍術
2.劍俠的神秘性格
(四)從文化史看俠與劍俠
1.俠的生命情調
2.俠義傳統在唐代的演變
3.俠與劍術、藩鎮的關係
由《詩品》到《點將錄》:俠與文士的一種關係
(一)人物才性的銓量
(二)藝術境界的晶題
(三)詩人的族群社會
(四)草澤英雄的美感
(五)藝術人格的掌握與整體詩壇的觀點
清代的俠義小說
(一)說“逆流”
(二)論“忠義”
(三)辨“俠盜”
(四)存“意氣”
英雄與美人:晚明晚清文化景觀再探
(一)崇拜英雄的社會
(二)研究目光的轉向
(三)面對女性的英雄
(四)女性的英雄形象
(五)相互宰製與解放
(六)理想人格的追求
俠骨與柔情:近代知識份子的生命形態
(一)士風/俠行
(二)憂世/憂生
(三)俠骨/柔情
(四)英雄/兒女
(五)劍氣/簫心
(六)水滸/紅樓
(七)革命/愛情
鴛鴦蝴蝶與武俠小說
武俠小說的現代化轉型
(一)呼喚新武俠的聲音
(二)新派武俠出現江湖
(三)武俠小說的常與變
(四)從武俠小說到小說
(五)敍述模式之變革史
人在江湖——夜訪古龍
劃破黑暗的刀
(一)劍本無情——多情劍客無情劍
(二)劍亦有情
(三)人在江湖
(四)友情長存
藏在霧裏的劍
(一)倫理的抉擇
(二)存在的困境
(三)無奈的命運
(四)夢霧的江湖
(五)殺人或自殺
看三少爺的劍
且爭雄於帝疆
方紅葉之江湖閒話
E時代的金庸:金庸小說在網路和電子遊戲上的表現
(一)電玩:學界尚不熟悉的武林
(二)分歧:金學研究的兩條路線
(三)流俗:世俗化的價值與感性
(四)遊戲:青少年次文化的邏輯
(五)轉折:E世代武俠的新命運
少年俠客行
(一)結客少年場
(二)背德與犯罪
(三)遊俠次文化
(四)生命的爭論
(五)青春少年時
附錄一 刀劍錄
附錄二 評田毓英著《西班牙騎士與中國俠》
附錄三 俠與騎士
附錄四 《大俠》後記
附錄五 論報仇